NYC NOIR [AND NON-NOIR] AT THE FILM FORUM

Bruce Goldstein melds New York movies and film noir in the Film Forum's midsummer repertory schedule for 2007. There's a mix of the familiar and the obscure (at least to me), so here is a very likely incomplete list of top-notch flicks in the series.

SWEET SMELL OF SUCCESS
July 27 and 28
Gossip columnist Burt Lancaster lords it over the city in this metropolitan melodrama featuring great location shooting from James Wong Howe.

THE CAMERAMAN with SPEEDY
July 30
Silent-era comedians Buster Keaton and Harold Lloyd wreak havoc in the black-and-white Big Apple. Try to see the 3:50 pm or 7:00 pm screenings of The Cameraman for live piano accompaniment by Steve Sterner.

PICKUP ON SOUTH STREET with KISS OF DEATH
August 1 and 2
This isn't quite the millionth time I've plugged Samuel Fuller's Pickup on South Street on this blog, but by now my regular readers must know how much I admire this hardboiled and still unnerving Cold War noir featuring Richard Widmark and a strong score by Leigh Harline. Kiss of Death scores high on IMDB.

THE TAKING OF PELHAM ONE TWO THREE
August 3 and 4
Travel back into the NYC subway system circa 1974—if you dare—in this Blog About Town favorite.

ROSEMARY'S BABY
August 10 and 11
Roman Polanski's masterful, moody exploration of a Dakota Hotel tenant's somewhat unusual pregnancy (based on the novel by Ira "Stepford Wives" Levin, Rosemary's Baby was produced by gimmick king William Castle, whose cheesy movies (such as The Tingler) were once a staple of Film Forum summer programming. See the amazing trailer below!

MEAN STREETS and TAXI DRIVER
August 12 and 13
If you dig movie couples, few programs could be more appealing than this pairing of the flicks that solidified the relationship between Robert De Niro and Martin Scorsese in the Seventies.

KILLER'S KISS with SOMETHING WILD
August 22 and 23
Killer's Kiss is an early Kubrick quickie, but Something Wild is what really catches my interest in this double bill. The talent includes Carroll Baker, Ralph Meeker, Jean Stapleton, Aaron Copland, and Eugen Sch¨aut;fftan, a refugee from Breslau who also worked on visual effects for the Fritz Lang masterpiece Metropolis (which is closing tonight).

REAR WINDOW and ROPE
August 24 AND 25
Two of Hitchcock's most impressive movies. He never made a movie more taut than Rope.



Source (3:00)

Stills courtesy Film Forum/Photofest