STAIRWAY TO PARADISE. As I watched Stairway to Paradise--the Encores! revue of numbers and routines curated from decades of Follies, Scandals, Blackbirds, Gaieties, and other variety shows that were Broadway staples during the first half of the past century--I felt that it was getting better and better. And that feeling continued after the show, when I finally got around to looking at the program--the third and last for Encores! this season--and learned more about the selections and the talent behind them.

I was already familiar with a number of the show's highlights. My favorites tended to fall into two categories: the ones featuring cleverly crafted lyrics and the ones with the transcendently haunting melodies. In the former category I put Irving Berlin's Oh! How I Hate to Get Up in the Morning by Irving Berlin and Manhattan by Richard Rodgers and Lorenz Hart. In the latter category goes Ev'ry Time We Say Goodbye by Cole Porter as well as Dancing in the Dark by Howard Dietz and Arthur Schwartz, who come out as the songwriting stars of the show, represented in five selections that also include the witty and wonderfully melodic Triplets and Rhode Island is Famous for You.

As I mentioned, my appreciation of the production grew once I scrutinized the program and noticed other names represented in the show: P.G. Wodehouse and Walter and Jean Kerr as well as Eubie Blake, Victor Herbert, Jerome Kern, Jule Styne, and Betty Comden and Adolph Green. The material isn't going to please all of the people all of the time, but it does give one a feel for the history of an entertainment form that today survives mainly in durable song standards and numbers in movie musicals such as The Band Wagon.

The performances and miking were uneven last night (at least in the nosebleed seats, where I sat), but the production was still strong enough to make this the strongest Encores! season so far. Kristin Chenoweth stood out as the show's star, showing off her versatility in different styles of singing as well as comedic acting. Capathia Jenkins was also a vocal standout, with dance highlights coming from tapper Kendrick Jones as well as ballroom team Holly Cruikshank and Barrett Martin.

So now it's once again time to wonder what Encores! will revive next. I'm still curious about the old Mel Brooks-Charles Strouse-Lee Adams musical All American and desperately waiting for High Spirits.

Here's an Erin McKeown cover of Rhode Island is Famous for You.



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THIS WEEKEND: TOO MUCH! TOO MUCH!

I'm still sticking with Saturday's Sam Fuller at Falkenau screening as the thing to do in the area this weekend. But it's true that the movie program at Loew's Jersey Theatre has a lot of appeal. And there are many other great things to do, too.

In fact, this weekend turns out to be an example of what sets the metropolitan area apart as a cultural center. Here are some other events:

The Encores! production of Stairway to Paradise, starring Kristin Chenoweth

The Emile de Antonio documentary series at Anthology Film Archives featuring screenings of Point of Order, a tightly edited view of how Joseph Welch managed to give Joseph McCarthy his well-deserved comeuppance. Saturday afternoon there's a panel discussion of that film.

The last days of Tom Stoppard's The Coast of Utopia. I saw Part One courtesy of TKTS last night and loved it--my main disappointment is that, barring a miraculous extension, I won't be able to see the other two parts.

Guy Maddin's Brand on the Brain!, with live music and sound effects plus live narration by the likes of Laurie Anderson, Justin Bond, Anne Jackson, Lou Reed, Isabella Rossellini, and Eli Wallach (also seen in two of the three Jersey City screenings)

And tonight there's that Air/TV on the Radio gig

I'm sure I'm missing a lot of other great (or at least promising fare. For the moment, I'm simply dizzied by cultural overload.

Here's the trailer for Brand Upon the Brain!



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