That's the Year 2009, Not the Number of NomineesIt's been a relatively busy year on Broadway, especially in terms of plays (perhaps due to budgeting concerns). But I'm not sure the quantity and quality come across fully in the nominations, which went to, I think, 27 productions out of a possible 43.
Lifetime Achievement goes to
Jerry Herman, whose musicals include
Milk and Honey,
Hello, Dolly!,
Mame, and
La Cage aux Folles. The first Isabelle Stevenson Award (for humanitarian work) goes to
Phyllis Newman, founder of The Phyllis Newman Women's Health Initiative of The Actors' Fund of America. Honors for Excellence in Theatre go to publicist
Shirley Herz.
Virginia's Signature Theatre gets the Regional Theatre Award.
Among the top nominees, there's a big British presence.
Billy Elliot, The Musical leads with a stupendous 15, including the three-for-one nomination of David Alvarez/Trent Kowalik/Kiril Kulish, who alternate in the title role (Billy Elliot, not The Musical).
That apparently ties the show with The Producers for most nominations in a season. Play-wise,
Mary Stuart and the three-for-one comedy of manners
The Norman Conquests are tied for most nominations, with 7 each.
Originating on this side of the Atlantic,
Next to Normal is the second-most-nominated musical (11) while
Joe Turner's Come and Gone boasts 6 nominations. (Originally produced in Switzerland and then in England,
God of Carnage also tallied 6 noms.)
I haven't seen many of the nominees yet, so I don't have all that much to say about them. But I was glad to see Alice Ripley and songwriters Tom Kitt and Brian Yorkey nominated for
Next to Normal and Matthew Warchus nominated for directing
The Norman Conquests, and I was also glad to see four of the
Norman actors nominated, though it's too bad there was no room for
Amelia Bullmore as Ruth. Another noteworthy omission was Aaron Tveit in
Next to Normal. And somehow it would've been nice to give some recognition to the kids of
13, a show with a lot of heart and spunk.
Michael Musto points out that The Seagull and [title of show] were pretty much screwed. (Note that
[title of show] did not get one of the four Best Musical nominations.) He also questions the absence of Aaron Tveit as well as a set design nom for nom-less
Desire Under the Elms and recognition for some guys named Bill Irwin and Nathan Lane for their performances in something called
Waiting for Godot.
David Cote at the fittingly named Time Out New York (you know, TONY) misses All My Sons.Want more carping about omissions?
Matt Wolf misses
All My Sons,
Norman's Ben Miles
and Amelia Bullmore (as well as a Best Ensemble category), Kristin Scott Thomas for
The Seagull, and Carla Gugino for
Desire Under the Elms....
Perhaps, one way or another, I can coax Musical Maven Myra to offer her perspective on all this. In the meantime, consider the following nominees.
BEST PLAYDividing the Estate (Horton Foote)
God of Carnage (Yasmina Reza)
Reasons to Be Pretty (Neil LaBute)
33 Variations (Moisés Kaufman)
BEST MUSICALBilly Elliot, The Musical Next to Normal Rock of Ages Shrek The MusicalBEST BOOK OF A MUSICALBilly Elliot, The Musical (Lee Hall)
Next to Normal (Brian Yorkey)
Shrek The Musical (David Lindsay-Abaire)
[Title of Show] (Hunter Bell)
BEST ORIGINAL SCOREBilly Elliot, The Musical (Elton John/Lee Hall)
Next to Normal (Tom Kitt/Brian Yorkey)
9 to 5: The Musical (Dolly Parton)
Shrek The Musical (Jeanine Tesori/David Lindsay-Abaire)
BEST REVIVAL OF A PLAYJoe Turner's Come and Gone
Mary Stuart
The Norman Conquests
Waiting for GodotBEST REVIVAL OF A MUSICALGuys and Dolls
Hair
Pal Joey
West Side StoryBEST SPECIAL THEATRICAL EVENTLiza's at The Palace
Slava's Snowshow
Soul of Shaolin
You're Welcome America. A Final Night with George W. Bush
BEST PERFORMANCE BY A LEADING ACTOR IN A PLAYJeff Daniels,
God of Carnage Raúl Esparza,
Speed-the-Plow James Gandolfini,
God of Carnage Geoffrey Rush,
Exit the King Thomas Sadoski,
Reasons to Be Pretty
BEST PERFORMANCE BY A LEADING ACTRESS IN A PLAYHope Davis,
God of Carnage Jane Fonda,
33 Variations Marcia Gay Harden,
God of Carnage Janet McTeer,
Mary Stuart Harriet Walter,
Mary StuartBEST PERFORMANCE BY A LEADING ACTOR IN A MUSICALDavid Alvarez/Trent Kowalik/Kiril Kulish,
Billy Elliot, The Musical Gavin Creel,
Hair Brian d’Arcy James,
Shrek The Musical Constantine Maroulis,
Rock of Ages J. Robert Spencer,
Next to NormalBEST PERFORMANCE BY A LEADING ACTRESS IN A MUSICALStockard Channing,
Pal Joey Sutton Foster,
Shrek The Musical Allison Janney,
9 to 5: The Musical Alice Ripley,
Next to Normal Josefina Scaglione,
West Side StoryBEST PERFORMANCE BY A FEATURED ACTOR IN A PLAYJohn Glover,
Waiting for Godot Zach Grenier,
33 Variations Stephen Mangan,
The Norman Conquests Paul Ritter,
The Norman Conquests Roger Robinson,
Joe Turner's Come and Gone
BEST PERFORMANCE BY A FEATURED ACTRESS IN A PLAYHallie Foote,
Dividing the Estate Jessica Hynes,
The Norman Conquests Marin Ireland,
Reasons to Be Pretty Angela Lansbury,
Blithe Spirit Amanda Root,
The Norman Conquests
BEST PERFORMANCE BY A FEATURED ACTOR IN A MUSICALDavid Bologna,
Billy Elliot, The Musical Gregory Jbara,
Billy Elliot, The Musical Marc Kudisch,
9 to 5: The Musical Christopher Sieber,
Shrek The Musical Will Swenson,
HairBEST PERFORMANCE BY A FEATURED ACTRESS IN A MUSICALJennifer Damiano,
Next to Normal Haydn Gwynne,
Billy Elliot, The Musical Karen Olivo,
West Side Story Martha Plimpton,
Pal Joey Carole Shelley,
Billy Elliot, The MusicalBEST DIRECTION OF A PLAYPhyllida Lloyd,
Mary Stuart Bartlett Sher,
Joe Turner's Come and Gone Matthew Warchus,
God of Carnage Matthew Warchus,
The Norman ConquestsBEST DIRECTION OF A MUSICALStephen Daldry,
Billy Elliot, The Musical Michael Greif,
Next to Normal Kristin Hanggi,
Rock of AgesDiane Paulus,
HairBEST CHOREOGRAPHYKarole Armitage,
Hair Andy Blankenbuehler,
9 to 5: The Musical Peter Darling,
Billy Elliot, The Musical Randy Skinner,
Irving Berlin's White ChristmasBEST ORCHESTRATIONSMartin Koch,
Billy Elliot, The Musical Michael Starobin and Tom Kitt,
Next to Normal Danny Troob and John Clancy,
Shrek The MusicalBEST SCENIC DESIGN OF A PLAYDale Ferguson,
Exit the King Rob Howell,
The Norman Conquests Derek McLane,
33 VariationsMichael Yeargan,
Joe Turner's Come and Gone
BEST SCENIC DESIGN OF A MUSICALRobert Brill,
Guys and Dolls Ian MacNeil,
Billy Elliot, The Musical Scott Pask,
Pal Joey Mark Wendland,
Next to Normal
BEST COSTUME DESIGN OF A PLAYDale Ferguson,
Exit the King Jane Greenwood,
Waiting for Godot Martin Pakledinaz,
Blithe Spirit Anthony Ward,
Mary Stuart
BEST COSTUME DESIGN OF A MUSICALGregory Gale,
Rock of Ages Nicky Gillibrand,
Billy Elliot, The Musical Tim Hatley,
Shrek The Musical Michael McDonald,
HairBEST LIGHTING DESIGN OF A PLAYDavid Hersey,
Equus David Lander,
33 Variations Brian MacDevitt,
Joe Turner's Come and Gone Hugh Vanstone,
Mary Stuart
BEST LIGHTING DESIGN OF A MUSICALKevin Adams,
Hair Kevin Adams,
Next to Normal Howell Binkley,
West Side Story Rick Fisher,
Billy Elliot, The MusicalBEST SOUND DESIGN OF A PLAYPaul Arditti,
Mary Stuart Gregory Clarke,
Equus Russell Goldsmith,
Exit the King Scott Lehrer and Leon Rothenberg,
Joe Turner's Come and GoneBEST SOUND DESIGN OF A MUSICALAcme Sound Partners,
Hair Paul Arditti,
Billy Elliot, The Musical Peter Hylenski,
Rock of Ages Brian Ronan,
Next to Normal